Monday, December 23, 2019
Creative Development of Robert Schumann - 2049 Words
Concert program: The creative development of Robert Schumann Introduction One of the unique features of the 19th century composer Robert Schumanns output is the degree to which the verbal mediums of literature (such as poetry and drama) affected his musical output. While many operas have been inspired by great literature, Schumanns expression even in his piano compositions and non-verbally oriented musical works show a literary flair. Many of his compositions allude to characters or scenes from poems, novels, and plays; others are like musical crossword puzzles with key signatures or musical themes that refer to people or places important to him (Gifford 2012). Schumann worked as an editor and journalist for a popular musical magazine, the Neue Zeitsfchrift fur Musik, and had a great deal of literary self-consciousness about how he constructed his art (Gifford 2012). Ironically, Schumanns operas were not successful and it is his nonverbal piano works that have solidified his reputation for musical greatness. A number of musical critics have noted that the re is a distinct break in the tone, style, and structure of Robert Schumanns earlier works with his later output. Characterizations like subjective-objective suggest that Schumanns instrumental works of the early 1840s broke cleanly from the music of his past (Brown 2004). His earlier songs of the 1830s are considered to be some of the finest expressions of short, Romantic musical forms. He virtuallyShow MoreRelatedMusic of Robert Schumann as a New Stage in the Development of Romanticism1023 Words à |à 4 PagesMusic of Robert Schumann as a New Stage in the Development of Romanticism Music of Robert Schumann embodies many of the most characteristic features of German Romanticism ââ¬â deep psychological insight, aspiration for the ideal, intimacy, irony and bitterness. 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